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Another DAM Podcast interview with Anne Lenehan on Digital Asset Management

Listen to Another DAM Podcast interview with Anne Lenehan on Digital Asset Management

Full Transcript:

Henrik de Gyor:  [0:01] This is Another DAM Podcast about Digital Asset Management. I am Henrik de Gyor. Today I’m speaking with Anne Lenehan. Anne how are you?

Anne Lenehan:  [0:09] I’m very well, thank you Henrik.

Henrik:  [0:11] Anne, how are you involved with digital asset management?

Anne:  [0:14] At Elsevier, I’m currently the product owner for our digital asset management system, and I was also involved in creating the business case for the DAM we introduced into Elsevier, and ensure that not only through the business case but also through the implementation phase at Elsevier.

Henrik:  [0:31] Anne, how does the provider of science and health information use digital asset management?

Anne:  [0:35] It’s a great question, when you think about science or health information you don’t necessarily think about all of the types of rich media and video, and audio materials that are part of not only just the diagnosis part of medical information but also in the learning and also in the patient information. The way that we use digital assets at Elsevier is they’re part of every product that we produce, every book, every journal and every online product that we have has images, videos, audio files, Google maps files or map files.

[1:08] We have special 3D and interactive images, we have interactive questions and case studies, all of which have a lot of rich media as part and parcel of those content pieces. Those are all digital assets that we want to store and manage, and potentially recompile and re‑use in future products. It’s really at the core of our content information. It is as big of a part of our content flow as the text content has always been.

Henrik:  [1:39] What are the biggest challenges and successes you’ve seen with DAM?

Anne:  [1:42] I think one of the most difficult thing with digital assets and how we manage them through a DAM, is really understanding the work flows that are involved in creating the assets, and how they can fit together in an end‑to‑end workflow for production pieces. I think that’s probably the biggest challenge.

[2:00] The way that we view creating, say images or videos, are viewed as very much separate work streams, where in fact, they are very frequently work stream that all flow together or workflows that flow together and are connected in a way. Actually having a DAM enables us to view those work streams and workflows in a much more continuous manner and help us to improve our processes for creating rich media assets that are then part of the DAM.

[2:30] I think this has been one of the biggest challenges that we’ve seen within my company but that’s also a common thing within other companies is that certain parts of the workflows are not always identified as having the potential to be part of working with the digital asset management system. It’s actually very good way to manage assets coming into the company from our author base.

[2:51] It’s a great way to manage distributing those assets for improvements or for transformation to our vendors. Digital asset management system is a very helpful way for us to review those assets, to view them in [Inaudible 3:03] and the way that they are going to be used in our content product. Also to distribute those assets down the road to our product platforms and also as part of our compiled objects, be they books or journals, online content, e‑books, whatever the output is.

[3:19] That’s a great success and it’s actually seeing how the DAM can be in content, but the biggest challenge is really helping people understand how those workflows fit together.

Henrik:  [3:30] Anne, what advice would you like to share with DAM professionals and people aspiring to become DAM professionals?

Anne:  [3:35] I think one of the most important things to understand is actually how the assets are used in a company, and what the importance of those assets are. This was a big change for us at Elsevier, we had always viewed rich media assets with somewhat secondary..or a secondary part of our content pieces.

[3:52] It was only really when we started to think about video assets and image assets, and all other kinds of rich media assets as being core and central to our content pieces that we started to really look at DAM as being a way to manage those content pieces.

[4:07] The one important thing for an aspiring DAM professional is to really understand the business that they are looking at, and what the content pieces are that go into it, and how those content pieces, be they, digital assets. How are they working together? What is the overall picture, and the overall view or the overall importance of digital assets to that company?

[4:27] As those assets become more important and as the record or the management or the potentially the re‑use becomes more important. That would be something very important to understand and to translate to, particularly to senior management, in supporting and funding origination of a DAM system.

[4:45] The other thing that I would really recommend for aspiring DAM professional is to understand a lot about metadata and taxonomy and how they work together to support the assets that you are creating, storing and managing in a digital asset management system. I can’t overemphasize this enough, but this was really a core part of our mature view of digital assets within Elsevier is that we had established a really good taxonomy.

[5:11] That we are using as part of a process we call Smart Content across our product assets and platforms. We were using the taxonomy to tag our content and manage it to improve the search and discovery of the assets and content that we had on our platforms. One of the outgrowths of the Smart Content program was really to understand that rich media assets were being searched and were being used.

[5:37] That actually translated to…how do we use the taxonomy? What a taxonomy is? How it could be used in your particular industry and the importance of how that can be used to enable search and discovery and lead in the efforts of the DAM.

Henrik:  [5:50] Well, thanks Anne.

Anne:  [5:51] Sure.

Henrik:  [5:53] For more on this and other digital asset management topics go to

For this and 150 other podcasts episodes including transcripts of every interview go to If you have any comments or questions please feel free to email me at Thanks again.

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Another DAM podcast interview with JA Pryse on Digital Asset Management

Listen to Another DAM podcast interview with JA Pryse on Digital Asset Management

Here are the questions asked:

  • How are you involved with Digital Asset Management?
  • You were recently awarded a fellowship on Digital Asset Management. Tell us more about this.
  • What are the biggest challenges and successes with Digital Asset Management?
  • What advice would you like to share with DAM professionals and people aspiring to become DAM professionals?

Full Transcript:

Henrik de Gyor:  [0:01] This is Another DAM podcast about Digital Asset Management. I’m Henrik de Gyor. Today I’m speaking with JA Pryse. JA, how are you?

JA Pryse:  [0:10] I’m good. Thank you for having me on, Henrik.

Henrik:  [0:13] JA, how are you involved with Digital Asset Management?

JA:  [0:17] I was hired by the Oklahoma Historical Society in 2010 to process the [00:23] Carmen Gee collection, which is a very large collection. By process I mean the manuscripts, audio, video, and photographs. The project contained over 91 linear feet of manuscripts, close to 350,000 images, 207 mixed audios, and a number of video and some recordings. My job was to digitize and process the collection.

[0:47] That was my first introduction into Asset Management.

Henrik de Gyor:  [0:51] You were recently awarded a fellowship on Digital Asset Management. Tell us more about this.

JA:  [0:57] Oklahoma is pretty new on the digitizing field, and we’re relatively new as far as policy and procedures go. Of course, we have a huge collection especially with the five million image Gateway to Oklahoma history newspaper project, and the OPUBCO collection that we do have.

[1:14] My proposal was surrounding long‑term Digital Asset Management. I felt the Smithsonian Institute Archives, the way that they run their program and the way that they manage their assets, is something that I definitely want to model and bring back to the Oklahoma Historical Society.

[1:32] The proposal I wrote was concerning that, and the research that I will do for two weeks while I am residing there.

Henrik:  [1:39] Is this in Washington DC?

JA:  [1:40] Yes, April 5th through the 19th this year [2014].

Henrik:  [1:44] Sounds very exciting.

JA:  [1:45] It is. I’m looking forward to it, I’ve never been to Washington DC. My mission is to develop a management plan and best practice strategies for all of our assets that we have here.

Henrik:  [1:55] Fantastic. What are the biggest challenges and successes with Digital Asset Management?

JA:  [2:00] For the Oklahoma Historical Society and for myself and my department, there is pretty much one person handling each media format. And of course, we always go through budget cuts and we’re the first one to be cut in the state since we are a state agency.

[2:18] There’s only one of me, and the ethics grant has a total of one scanner ‑‑ which is a part‑time scanner ‑‑ one part‑time indexer, one volunteer indexer and I. Also, I like to say I moonlight as an audio engineer, an archivist, but have taken a lot of classes and lot of educational steps to get into the audio engineering field and audio archiving in the oral history collection.

[2:45] Whenever we do acquire new audio collections such as the Clara Luper collection, where it was an audio tape…every one of Clara Luper’s…who’s an African‑American archivist in the region. She had a radio show. We acquired that collection. It had 19 linear feet of audio tapes and cassettes. We’re going to digitize those.

[3:07] The biggest challenge is not having more than one me to handle the newspaper project as well as the audio digitization projects that we have.

Henrik:  [3:17] What advice would you like to share with DAM professionals and people aspiring to become DAM professionals?

JA:  [3:22] I spoke to a class this morning that was doing a tour of the archives that we have here at the Oklahoma Historical Society. I was asked the same question. What I spoke to them about is becoming more familiar with all digital formats as much as possible, taking as many classes as you can.

[3:40] I mentioned earlier taking classes in audio engineering, taking online classes in video and film production, and getting familiarized with library processes. All different kinds of scanning and digitization as well as the preservation of that material that we are digitizing.

[3:57] Whenever I speak to students or aspiring archivists, I always want to say, “Keep studying. Keep studying everything that you can. Build your knowledge base.” The more that we know about the material that we’re digitizing, the more beneficial we’re going to be with managing that material. Whenever we speak with community colleges or the different universities, I always like to say, “Concentrate on the efficiency as well. Quantity, quality, and efficiency.”

[4:28] I think that we become more efficient as digital assent managers as we educate ourselves more along the different processes, which is one of the reasons why I’m looking forward to going to the Smithsonian for that fellowship. It’s primarily to learn how we can manage our material better.

Henrik:  [4:47] There’s still a lot of analog material out there to be digitized.

JA:  [4:52] Absolutely. Now that it’s become the time…the archivists before us that have worked here with the Oklahoma Historical Society for 37 years or for 40 years. That material that they have taken care of is expiring. They’ve all retired now and left it to us, which is just the natural progression/evolution of all the material.

[5:11] We’ll do our part, and then in 30 or 40 years, somebody will come in and do their part. Things keep expiring. The new advances that we see every day, I believe…If we fall behind, we fall behind.

Henrik:  [5:25] I’ve heard once it is digitized, it may be transferred into a different format eventually because to your point, before it gets expired.

JA:  [5:33] Absolutely. One of the other things I was speaking to students this morning is the importance of having a master copy, an access copy, or clones of the master copy for different uses. Online use, copy use, press release use, all different sorts of uses, but securing that master copy just in case anything ever happens to the original format such as fire, flooding, or in our parts, tornadoes. But definitely to have that master copy.

Henrik:  [6:05] Thanks, JA.

JA:  [6:06] Thank you for having me, and I enjoy your podcast quite a bit.

Henrik:  [6:10] Thank you.

Henrik:  [6:11] For more on this and other Digital Asset Management topics, log on to Another DAM podcast is available on iTunes and AudioBoo. If you have any comments or questions, please feel free to email me at Thanks again.

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Another DAM Podcast interview with Ed Klaris

Listen to Another DAM Podcast interview with Ed Klaris about Digital Asset Management

Here are the questions asked:

  • How are you involved with Digital Asset Management?
  • How does a magazine publisher use Digital Asset Management?
  • What are the biggest challenges and successes with Digital Asset Management?
  • What advice would you like to share with DAM Professionals and people aspiring to become DAM Professionals?

Full Transcript:

Henrik de Gyor: [0:01] This is Another DAM Podcast about Digital Asset Management. I’m Henrik de Gyor, and I’m speaking with Ed Klaris. Ed, how are you?
Ed Klaris: [0:10] Fine, thanks. Thanks for having me.
Henrik: [0:12] Ed, how are you involved with Digital Asset Management?
Ed: [0:15] I am Senior Vice President in charge of Editorial Assets and Rights at Conde Nast, which includes asset management and rights management across the entire portfolio. Conde Nast owns 18 consumer titles and three B2B titles, all of which have articles and photographs from the traditional print publications. We also produce a lot of video, blogs, and web content, all of which I’m responsible for taking after publication and putting it into a repository.
[0:49] We use our Digital Asset Management system to house, search and discover previously published assets, so that we can reuse them for various purposes. I’m not a technologist, I’m a manager. I’m an executive at the company and I oversee Digital Asset Management. In fact, under my management, we created asset management here at the company and we converted print titles backwards, back to 2002 into XML, and every month that the print titles are created here, we convert them to XML and then put them into our repository.
Henrik: [1:26] How does a magazine publisher use Digital Asset Management?
Ed: [1:29] Similar to what I just said, we convert all of our content into a structured format. We use our Prism Spec XML format to house all of our previously published content. It’s a video or Web‑based content that can go into the asset management system fairly cleanly. However, we do try to add metadata so that it’s easily discoverable. We use Digital Asset Management as a repository so that we can reuse content as broadly as possible. We can distribute digital content across the world to our publishers around the world, to our licensees, our content syndication partners, etc.
[2:09] It’s a repository discovery device and a distribution mechanism.
Henrik: [2:14] What are the biggest challenges and successes with Digital Asset Management?
Ed: [2:18] The biggest challenge that we face are combining asset metadata with rights data around exactly what we can and cannot do with a given asset. As an IT publisher, we tend to not acquire all rights to all content, we have limited rights. Many of the pieces of content have different use cases. We can make a book out of one title’s photograph, but not out of another.
[2:43] We can crop a photo here, and another photograph we might not be able to. We can use an article on the Web, and another article, we cannot. The biggest challenge is, I’m not discovering the asset, it’s knowing how you can reuse it, and having pretty easy access by the user into the asset and exactly its suitability.
[3:04] Then, the biggest successes so far have been our ability to take a robust database. We use an underlying database for our Digital Asset Management system and building a DAM app on top of it, which is the underlying database is an unstructured database that has great search capability, but it really didn’t have a lot of specified magazine publishing needed asset management tools, like a front end. It didn’t have carding, or reuse capabilities.
[3:37] It didn’t have the ability to segment and use taxonomies quite as well in our specific field, so we have been able to build on top of our unstructured database, a thin app that is very robust and serves the magazine publishing business very well, but when in fact this industry has really not had a DAM product that did serve our needs.
Henrik: [4:00] What advice would you like to share with DAM professionals and people aspiring to become DAM professionals?
Ed: [4:04] I think that DAM requires a great knowledge around search and discovery. It’s an undervalued skill set, and with search and discovery, I mean the ability to create and employ taxonomies to use segmentation and granularized search in a way that makes your assets findable. I think the people who are going into the field don’t know, just need to know how to manage binary assets, but also need to be very familiar with search and discovery, and they need to be able to be technologists.
[4:38] Not necessarily everybody needs to be able to code, but they need to be very familiar with technology around these databases and such, because otherwise, it maybe kind of get lost. They need to know what they’re getting into. What it was, if was they were really interested in, are they interested in that, more so content management than Digital Asset Management as a repository, and really know what direction they want to go in.
[5:02] Often times I find that people are ultimately interested in creating content rather than figuring out how to store it and find it and re‑purpose it, it’s the latter that people in this field really need to focus on. I’m looking for people who are both content specialists and people who can convert content into XML or HTML, mostly XML, and also technologists who understand search primarily, and can do front‑end development. Both of those skills are very useful and especially the technology side.
Henrik: [5:31] Thanks, Ed.
Ed: [5:31] You’re welcome, it was a pleasure.
Henrik: [5:33] More on this and other Digital Asset Management topics, logon to Another DAM Podcast is available on iTunes and AudioBoo. If you have any comments or questions, please feel free to email me at Thanks again.

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Another DAM podcast interview with Jennifer Neumann

Another DAM podcast interview with Jennifer Neumann | Listen

Here are the questions asked:

  • How are you involved with Digital Asset Management?
  • What are the biggest challenges and successes you have seen with DAM?
  • What advice would you like to share with DAM Professionals and people aspiring to become DAM Professionals?

Full Transcript:

Henrik: [0:01] This is Another DAM Podcast about Digital Asset Management.
I’m Henrik de Gyor. Today, I’m speaking with Jennifer Neumann. Jennifer,
how are you?
Jennifer Neumann: [0:09] I’m doing fine. Thank you for inviting me to come on
your show, Henrik.
Henrik: [0:13] Jennifer, how are you involved with Digital Asset Management?
Jennifer: [0:16] That’s actually a story that goes a long time back, to the early
‘90s, when the company I cofounded initially produced scanning software. It
was just after about half a year of selling scanning software, which helped a lot
of people create digital images. I was swamped with requests for building a
system that would then allow them to manage and access these thousands of
images created, in an efficient way. [0:44] Basically, I took that opportunity and
Digital Asset Management back then was actually just called an image database.
It’s had its incarnations since then, as you probably know, first being called
media asset management and then, ultimately, Digital Asset Management, It
evolved quite quickly, and we had a lot of customer demand. The solutions, ours
and competitors’ solutions, grew in very different directions at the same time,
supporting, of course, much more than images. The thing that I really like there
is that, from the beginning, it showed there is tremendous need for DAM, even
though it might not always be obvious how it should be best addressed.
Henrik: [1:24] What are the biggest challenges and successes you have seen
with Digital Asset Management?
Jennifer: [1:28] To follow up on what I just said, to put some figures out to
describe what I call success there. Over the years that we sold Digital Asset
Management, my company alone sold over 10,000 server solutions. We can only
estimate, but we bundled with many, if not most, of the biggest software vendors
out there. We probably reached about a million customers on the single
user side. It just endorses that Digital Asset Management has a clear demand
from the market. It might still struggle though fulfilling that demand and meeting
customer demand with clear cut offerings. [2:12] The challenges side are
actually both. They can be frustrating, definitely, for the customer. They can also
be frustrating for the vendor. What I think is important to look at is the topdown
view on the whole Digital Asset Management market. The one thing that I
recognized for a long time and still recognize is that Digital Asset Management
is still not as established as many other server solutions.
[2:37] Take, for example, the fact that every solution today is a web based
solution almost. Everybody would understand immediately. Everybody would
understand immediately and intuitively what a web server is. If you just mentioned
to a customer that has web based solutions, well, you should also install
a DAM server, you, more than often, still have to explain a lot in detail what the
DAM server would exactly do and what not to and how it would tie in with the
other servers.
[3:04] I think a situation that would help the success of DAM solutions would be
that there is more clarity on what it exactly addresses and what actually also
would be required to build an integrated solution and therefore, basically, any
effort like the efforts that you’re undertaking with your blog and your podcast,
extremely valuable.
Henrik: [3:25] Thank you. DAM is not the end all, be all. It is just one component
of many integral things that an organization may need.
Jennifer: [3:32] Yeah, well, just to reiterate, and I think it’s very important to get
this point across is this, it would be great if we would have the whole industry
of Digital Asset Management. If we had a sentence that would be, a one line
sentence, that would get across what DAM does. Another way to describe it, for
instance, and it’s something that also should actually finally happen, and I know
from reading your blog that you have also pushed in that direction, is there
is no clear-cut job descriptions out there for the people that work with DAM.
My experiences that, more than often, DAM is something that just comes up.
[4:08] I just had a case myself. An old friend of mine from San Francisco asked
me if I could recommend a DAM system for real estate company that needs to
take photographs of all the houses in a certain region. The typical approach
is, of course, not that they take this as a serious project from the beginning,
the customer, of course. It’s easy to understand we’ll try to get something
easy to install, little money, and is definitely not project manager from the beginning
assigned or even a product owner to call it that, but all these things
should happen.
[4:39] It should be clear on how a DAM project gets executed. While there’s
nothing wrong with starting a project small and grow the solution with integration
into other systems over time, it still should be clear from the beginning,
what the alternative routes would be that this DAM solution could be taken.
Henrik: [4:58] It is a phased approach, at least how it should be taken because
it often grows and often they pick a solution now that’s the cheapest possible
upfront. Then they outgrow it and then they have to do it all over again for a
medium sized solution. As the organization grows, they may even need a larger
solution. Of course, the price point changes and the features and integration
points change as well.
Jennifer: [5:23] One implementation that was I involved with personally and
I think it’s a really good example of how these things sometimes can be very
pinpointed. Another friend of mine who runs Germany’s largest independent
Apple dealership chain had the same need. Came up to me and said, “Jennifer,
can you help us? We are implementing a new eshop.” [5:47] Here’s another
one of those clearly defined. Or actually, people perceive it as clearly defined
solutions, right? You know you sell online. There’s an eshop that needs to be
implemented. It happened to be that that open source solution that they were
taking and extending manually was. And lots of programming had no strong capabilities
for managing images plus it’s not just managing the image. It’s a very
simple yet it is a workflow effect that they draw their products from all kinds of
vendors and then the metadata is not much, but it has to be entered in a standard
way for each of the products so that they know which vendor provides the
product to the dealer chain.
[6:32] The only thing that needed to really happen in regard to managing the
images themselves was that something in the middle that he thought was a
DAM system should automatically generate the five different resolutions for
best and best performing display of the products on the eshop and on the
website. That’s the whole workflow, but it means that you have to tie together,
first of all, in the graphics department somebody works with Adobe Photoshop
naturally and then there’s this thing in the middle and magically all these images
appear at the eshop.
[7:05] I don’t want to give the solution even away, what technology we used
in the middle of the year but this is, for me, the most important point. From
the beginning there’s clarity on what the workflow will be like and then you
have a high chance for success. Again, it’s not really relevant what we used
in the middle for converting images and forwarding metadata to the eshop,
but it was extremely important that we had an agreed upon plan on what was
going to be done and buy in even from the graphic designer, which starts the
whole process.
Henrik: [7:40] I agree. There’s a lot of components in the middle. There’s a perceived
end result. That should be very clear, as well as the workflow. But often
the end result is forgotten as the process goes along, which is a challenge with
many organizations I’ve seen.
Jennifer: [7:56] I still have a feeling that there is not enough clarity, also, on
what it takes to be a DAM system integration person. From experience, I can
tell that many of the people that put Digital Asset Management service in have
basically system integration staff with the company themselves. [8:17] But even
with the biggest ones, and I hope you’ll forgive me for not mentioning names,
but even they sometimes struggle to have enough qualified staff in the different
regions. I think that is definitely a field that still needs to be improved on to have
not just at least one capable person but considering that many of these solutions
are based on very different platforms, bet it .NET or Java or even different
operating systems.
[8:45] We need to find a way that there’s more talent in the market that understands
what they’re doing and maybe the analogy there, again, is if you talk
about Microsoft business then it is very clear cut. There’s someone that installed
your SharePoint server. If authentication isn’t working then it’s automatically
clear. You turn around and call the active directory guy. This is the kind of job
description that I’m talking about.
Henrik: [9:09] Those are missing from the industry because it’s all scattered
right now and there has not been a lot of consolidation even though there are
standardization bodies out there, I have not seen that coming out of them yet,
even though I have pushed for it. [9:22] I watch the job market every single day,
as far as seeing how organizations are advertising the needs for Digital Asset
Management so I understand their needs. But the standardization of the job
descriptions are not there and often they don’t know what they’re looking for.
Jennifer: [9:38] Yeah. I totally agree.
Henrik: [9:40] What advice would you like to share with DAM professionals and
people aspiring to be DAM professionals?
Jennifer: [9:45] I think that it’s just important to recognize that the same basic
skills are absolutely valuable, and they have been even before the digital age.
What I think of as…I just talked about that woman in the graphics department
for that German Apple dealer chain, she’s a very reliable, consistently working,
very detailed oriented person. I still, even though people might have different
viewpoints on what accountants do and what librarians do. But their qualities
that they have to do reliable work is just, those are basic skills that are very
important and help a lot to build a successful DAM installation. [10:32] But of
course, too, there is quite some learning involved. The systems are quite different
in how they’re used. It would be great if there was also, I mean, maybe, what
I would call soft standards. But what I see is that it’s basically down to people
accepting a job in the DAM area and then they will learn the system that is in
place with the company.
[10:56] Unfortunately, there is no standardized education at this point, but again,
through the help of your blog and other sites that I’ve seen, the DAM Foundation,
also, is a movement that I think is great. Everything in that direction that
helps, basically, detailed use skills will be helpful.
[11:14] It’s always, I mean, if there’s nothing there yet that tells you exactly what
to do, and I think this is also something you’ve mentioned before me and
others, too. I think the biggest right now is there should be more user groups
out there and there should be more events where people can talk to each other,
definitely. This is why I like user groups over conventions. Not everybody has the
chance to travel to New York for a show or Vegas or whatever. If there’s a way to
found more user groups around the DAM space, that I think will be helping the
end users a lot.
[11:46] Typically, people focus, of course, on the users and I can throw it back in
the mix, the technical folks there, too. I mean, DAM solutions do not normally
get instigated or started by the CIO or by the CTO. It isn’t normally, or in most
cases, there’s a pragmatic need for it, but I think it would be good, also, to find
a way to have more organized education towards the DAM technical folks.
[12:17] The last point, the last group that often gets forgotten from me is the
vendors. I think, there, too, I could basically criticize myself, you all, so, having
been involved in this industry for a long time, I think the vendors all should get
together more constructively and to try to build, maybe, standards, even, or
help build the perception of the whole market.
[12:42] Maybe a silly example or analogy there would be, if you look at how the
car manufacturers do it, I mean, they actually, I know this for a fact, they, at the
top level, but even at the engineering level, they meet at forums and groups
and discuss things and trends in the industry. That way, I think they’re helping
themselves to build a more consistent picture of what their market is about.
[13:05] If the vendors, and here’s another example of what’s already happening
even though it might not even be successful, is, even Microsoft, which is one of
the elephants, and the elephants normally are not the first to move, but agreed
to integrate a new standard called OASIS CMIS. CMIS stands for content management
interoperability services. Terrible acronym, of course. It simply means
that there should be a way through web services, in this case, how two systems
can synchronize data between them. Which is a great problem for DAM systems,
right? Because not all metadata necessarily has to live or will live in the
DAM server. If there is a content management system in the server mixed and
there will be some metadata, too. Maybe even the taxonomy is on the content
management server.
[13:56] If the DAM vendors work stronger and more successfully towards defining
how these interfaces work, I think then, they would also have less work to do,.
Because I know for a fact that it takes a vendor a lot of work, one by one, all of
them, to integrate with all the usual suspects, to start with Adobe products and
whatever else.
Henrik: [14:16] Great points. Great advice for the DAM vendors out there, and
solution providers.
Jennifer: [14:21] Yeah, just an encouragement. I mentioned your blog before.
I really think what you’re doing is absolutely great. Keep this going, it’s very
Henrik: [14:32] Thank you so much. I appreciate that.
Jennifer: [14:33] You’re welcome.
Henrik: [14:35] For more on this and other Digital Asset Management topics, log
onto Another DAM Podcast is available on Audioboo
and iTunes. [14:43] If you have any comments or questions, please feel free to
email me at Thanks again.

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Another DAM podcast interview with Bjorn Pave

Another DAM podcast interview with Bjorn Pave | Listen

Here are the questions asked:

  • How are you involved with Digital Asset Management?
  • How does an organization focused on cosmetics use Digital Asset Management?
  • What are the biggest challenges and successes the organization has with DAM?
  • What advice would you like to share with DAM Professionals and people aspiring to become DAM Professionals?

Full Transcript:

Henrik de Gyor: [0:01] This is Another DAM Podcast about Digital Asset
Management. I’m Henrik de Gyor. Today I’m speaking with Bjorn Pave. Bjorn,
how are you?
Bjorn Pave: [0:11] I’m good. How are you, Henrik?
Henrik: [0:12] Good. Bjorn, how are you involved with Digital Asset
Bjorn: [0:16] For us and for me, it began as a solution to a business problem.
We were looking how to distribute our assets globally. From there, it’s turned
into more of an interest for me, specifically, and some building of proficiency
in that area. It’s common for IT to be involved in Digital Asset Management and at Benefit,
our IT department plays a pretty close partnering role with the
business, so for us it was just to drive this project but also to fit this project in
with our business. [0:48] As for the basics, we are allied with our third phase of
this project. I’ve been less of a project manager these days. It’s become more
operational. I’ve become more of a strategic kind of partner with this project in
helping to progress and develop it and bring it to the next level.
Henrik: [1:05] How does an organization focused on cosmetics use Digital Asset
Bjorn: [1:10] Pretty much every company needs to be using some kind of DAM.
I mean, especially the ones that operate globally. Digital assets are everywhere.
Really, I don’t see much difference from a car company needing to distribute
assets than us, a cosmetics firm. [1:25] It’s about efficiency, when it comes down
to it. That said, we need to get our marketing materials out quickly to our marketing
teams around the world. We’re constantly under deadlines to do that.
We’re launching products and going to market quickly with products.
[1:42] To allow us to stay agile and efficient, we need some kind of thorough
system like that not as many companies would. Also, it goes without saying
that allowing those markets to find an easy way to search for those assets. Not
only the new ones to be able to find efficient the old material that they need to
find quickly.
[2:03] I’ll give you a quick example one of the big issues that we ran into for that
was just how to get these assets to the markets when they couldn’t find them
locally. They would send an email to San Francisco or go to our headquarters
and we would get the email from Taiwan, let’s say, the next day.
[2:22] We would reply to that email. Then, the next day after that, they would
have a blank or some method of gathering that asset. We’ve lost valuable time
there. Efficiency is just really important for us, in that sense, as well as most
Henrik: [2:38] What are the biggest challenges and successes the organization
has had with DAM?
Bjorn: [2:43] Which challenges that we’ve encountered? I’ll give you three main
ones that we came across. A big one was corporate buy in. I’ve seen their company
concerns. We’re owned by a larger firm that had a number of concerns.
Once we got it in place, it was managing expectations. Everybody wanted it.
People are clamoring to get to it. I’ll go back into those real briefly. [3:11] For the
corporate buy in, it was a challenge to get them to agree on spending money
outside of a budget cycle. We had a solution and we had problem to fix, but it
was nothing that we had planned far ahead. It came up that our current solution
wasn’t working, and we had a mandate from our CEO to go fix it.
[3:31] Getting the corporate buy in and getting that done and that leads into the
senior company concerns. We had to convince them that this was the right solution.
We were also faced with some other solutions that some of the other firms
in our group were using. That became quite a big sell project for our group.
[3:50] Managing the scope of it was key. We had a small pilot group that we
could roll out to. Now it’s turned into a much larger group. Now a lot of departments
are seeing an use for it. Managing those expectations is a challenge.
[4:06] As for our successes, I’m really pleased with the steering committee
packet we put together and the materials that they have at their disposal
through this project. Leveraging our vendor expertise was key. We partnered
with a great vendor. Cantor had professional services local to us, so it became
very easy for us to draw on those resources. They were a very close partner.
Their professional services team really helped us get to the next level with this.
[4:31] Finally for our successes, it was about celebrating the successes. We had
occasions to do so. The project came up during a global general managers’
meeting. All our global general managers were in San Francisco and complaining
about the lack of efficiency they were getting from our current solution,
which at the time was SharePoint. They wanted some other way of gathering
assets. That was the time that our CEO came to us.
[4:59] A year later we used that occasion to display what the solution was and
what we came up with. It was a great occasion to do so. Since then, we’ve had
other opportunities to tout our successes in that.
Henrik: [5:12] What advice would you like to share with DAM professionals and
people aspiring to become DAM professionals?
Bjorn: [5:16] For me this goes back to a bit of what I talked about at
Createasphere this year and what I hoped to get across there was no road
map for how to get into this. What were some key areas that really helped bring
me up to speed and bring us up to speed? Well, there was the LinkedIn group
that’s out there. There is that Digital Asset Managers group on LinkedIn, which
I found was a great location for talent and resources. [5:40] Other ways would
be engaging in DAM communities, podcasts and blogs like yours, Henrik, and
conferences. Those are great ways to find expertise. Why not learn from the
best? Why not take the people who are best in the field and draw on their intelligence?
That’s what we did there.
[5:57] Like I was saying before, leveraging the vendor was really helpful. If you’re
in a position where you can get vendor referrals who you can go out and speak
to, DAM managers at other firms that are similar to yours maybe not exactly,
but similar that’s really a big help. That was a help for us.
[6:13] As for becoming a professional, learn the software. Learn what’s out there
as far as the software offerings. Taking some time and digging deep into those
offerings is helpful. Learning taxonomy and metadata. They all have the core
commonalities, each of the software packages. To learn those essentials is really
important to being a DAM manager.
Henrik: [6:38] Thanks, Bjorn. For more on this on other Digital Asset
Management topics, log on to Another DAM Podcast
is available on Audioboo, iTunes and the Tech Podcast Network. If
you have any comments or questions, please feel free to email me at Thanks again.


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