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Another DAM Podcast interview with Anne Graham on Digital Asset Management

Listen to Anne Graham discusses Digital Asset Management

Transcript:

Henrik:  This is Another DAM Podcast about Digital Asset Management. I’m Henrik de Gyor. Today I’m speaking with Anne Graham. Anne, how are you?

Anne:  Great, how are you?

Henrik:  Great. Anne, how are you involved with Digital Asset Management?

Anne:  So I actually work for Turner Sports. I came from an archival background. I worked for a public university in Georgia and I was a digital archivist there for eight years before moving to Turner Sports. So I’ve worked in academic institutions and I’ve also worked in corporate archives before. So here at Turner, I am managing digital assets, specifically our media assets, so this would be audio and video recording of sporting events.

Anne:  So I manage the media in two different ways. I manage the digital media feeds that come in remotely from the trucks. At remote sport events, we actually have trucks and they bring in the actual video recordings that are going on and those get sent to our site from the remote site. And I also manage a physical tape assets which are kind of legacy assets that we have on site and kind of what that entails is I develop and enforce retention periods. I create and maintain data models and metadata schemes with our stakeholders and users. I develop a controlled vocabulary and a document the relationships between those terms with a variety of stakeholders and partners. So basically, we’re working on creating an ontology as well as just control vocabulary. And we do a lot of reaching out to stakeholders just to survey content to make sure that it’s being managed properly. So it might not be something that’s coming into our MAM or our media asset management system. It might be something that’s being managed in C2. So C2 just means that people are managing their media in place. So it would be the actual content creators are managing it in their area instead of moving it to our centralized MAM system. But I just want to make sure that we provide recommendations for them as to how to preserve it and how to organize and describe it.

Anne:  And then, I also control the movement of content between users and partners. So we get a lot of content from our media partners like NBA, PGA, NCAA, MLB. So we’re basically transferring that content into and out of our MAM system. And then on top of all of that, we take care of reference requests for our users.

Henrik:  Anne, how does a sports broadcaster use Digital Asset Management?

Anne:  Something that’s a little bit different about the sports library at Turner is that we started out as a tape library and we have moved obviously to managing digital media so there’s still some remnants of our old workflows that were in the process of updating, but basically feeds come in from satellite or fiber from the sports venues and those are fed through the trucks which we discussed. And sometimes those also have digital or social media content and engineers in the trucks as well.

Anne:  So sports broadcasting, we manage access to the content that follows the contractual obligations with content owners, both long-term and short-term access and preservation to those. Meaning that each of these properties are major properties are actually partnerships. We have partnerships with NBA, MLB, PGA, and NCAA. That content doesn’t belong to us, it belongs to them. We fulfill the contractual obligations with those partners concerning access and preservation. We also manage access to content produced by Turner that can be current production or legacy. For instance, the current productions we’re doing or Eleague, which is our eSports property, but we also have legacy media, like Goodwill Games that went on from 1986 to 2002. Then we also transport media to and from remote sites, so that would be the media that’s coming from the trucks, but we also send media out to the trucks to be used on site.

Anne:  We add metadata and aid search and retrieval and we document the provenance and we are trying to automate our workflows as much as possible. We match game logs, so games are actually logged when they’re going on for actions and players. We’ve matched us with the content. Our content, basically are airchecks, melts, and clips. So an air check would be an off-air broadcast. It’s what you would actually see on television if you were watching a game. Melts are highlight reels basically, so you would see the most important actions from a game, but you’d see them from multiple angles and we call that clean footage because it doesn’t have any bugs in it, any graphics. Bugs are what the network identification is on the actual feed. And then clips. So we preserve and provide access to those [clips]. We also manage our content standards with partners so we actually have content standards that we follow and we need to make sure that content we receive from partners follows the standards. And then we collect media and distributed to users so that can be inside our MAM for users inside and external users, especially we get requests from talent who want copies of their appearances. So that’s basically it.

Henrik:  Anne, what are the biggest challenges and successes with Digital Asset Management?

Anne:  So what I like to talk about our challenges and opportunities instead of successes because I kind of see opportunities as potential successes and I think it gives you a little bit more of a win for it. So I think some of the biggest challenges with Digital Asset Management right now, and I think this is universal, is funding. We’re always looking for funding for positions, for digitizing legacy media and just for Dev[elopment] work for new systems that you’re bringing online. I’d also say a problem that we have here is just overcoming silos to find stakeholders and allies who might be across properties and also identifying content, I would say across the silos. We have staffing limitations, there’s a lot of complexity since we have rights managed by so many different contracts.

Anne:  So trying to simplify that is always a challenge. And I’d say, again, this is probably something that everyone deals with is just the scale of content. We keep getting more and more content. It’s a higher and higher quality and I think everyone needs to understand that you can’t keep everything so you have to keep the stuff that’s really important where you can’t find it. And I would say another challenge we have is just getting everyone else to kind of see the big picture for content management that it’s actually, it’s an overarching picture and it needs to be administered in a standard consistent and predictable way. It shouldn’t be ad hoc decisions that people are making. And so for opportunities, I would say what we’re doing now is trying to accurately model our data so it describes it the way that our users actually search for it and use it themselves.

Anne:  And we want to extend that model. We’ve started with our highlights production and we want to extend it to other users like creative services. They actually look for different things. So their data model is slightly different. Whereas a highlights looks for the actual actions are players during a game. What a creative services is looking for is actually a fan reactions, colors, believe it or not, emotion. So just trying to get a handle on how they actually use that same data. And we wanted to extend our models to include that manage vocabulary thesaurus, and eventually in the ontologies so that we can really start to identify the relationships between those different terms. What we aspire to, I think is to have our users not only discover the content that they knew they wanted, but to find the stuff that they didn’t know they wanted. That’s my goal.

Anne:  So we have a metadata schema and our model. We also want to have that accepted across sports properties. I’d like to have kind of one standard that we all use. And basically the biggest thing is documenting our policies and procedures. That’s a huge hurdle, but it makes things so much easier for administration.

Henrik:  Anne, what advice would you like to share with DAM professionals and people aspiring to become DAM professionals?

Anne:  So I’ve heard lots of your guests recommending networking and I think that’s hugely important, but my advice is going to be to study across disciplines because if you’re managing content, you’re basically the advocate for that content. And in order to do that well, you need to be able to translate your needs between multiple areas. You need to be able to translate business needs to your IT support and you need to be able to to promote production needs to business and technology.

Anne:  Everybody needs to understand what is best for the content and how to get there. So the areas that I would suggest studying would be archival science because that’s my background and it really helps you in terms of just thinking about collections instead of individual items about original order. So how things were organically created, the provenance, where things came from, and how to really describe things in terms of how your users look for things. And the most important skill I think you get from that is appraisal, which is deciding what you keep and what you don’t keep. I’d also suggest studying digital preservation. I think everyone should be familiar with the OAIS model and they should know the trustworthy repository audit and certification, which is now ISO standard 16363, the trusted digital repository checklist. It helps you to ensure that your users have confidence that the content is what you say it is, and I would also suggest doing some reading and records management.

Anne:  It’s related to archival science, but it’s really about how to organize and manage your records as you’re creating them. So it will help you with lifecycle management. It’ll help you with creating retention periods and it really helps you to gather customer requirements by interviewing and observation and just doing research. I would also suggest studying technology so IT or I studied information systems [IS]. It’s been tremendously helpful in just understanding the lifecycle management not only of your assets, but if your systems. You’re never going to put one system in place and it’s going to be there forever. Those things change over probably a five to seven year development cycle, so as soon as you get your new system in place, you’re already looking for the next one. And studying IS really helped me with understanding software development cycle, how to actually write project requirements, basic project management and really thinking about getting your content out of the system from the very beginning of the project. It shouldn’t be something that you think about later. You need to think about that immediately and the last thing that I would suggest is studying business because my IS program was actually within the college of business and it was just invaluable for teaching me how to put together a funding proposal, how to make a business case for something, how to do presentations, which sounds very basic, but we think we’ve all seen some truly terrible presentations and if you can get your point across in a very efficient manner, people really appreciate it and it also really helps with just how to negotiate, so whether it’s negotiating with your users or your tech support professionals or even vendors. I think that’s just a hugely important skill.

Henrik:  Great. Well, thanks Anne.

Anne:  Thank you.

Henrik:  For more on this, visit anotherdampodcast.com for over 200 episodes including transcripts. If you have any comments or questions, please feel free to email me at anotherdamblog@gmail.com. Thanks again.

 


 

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Another DAM Podcast interview with Alex Cabal on Digital Asset Management

Alex Cabal talks about Digital Asset Management

Transcript:

Henrik de Gyor:  This is Another DAM Podcast about Digital Asset Management. I’m Henrik de Gyor. Today I’m speaking with Alex Cabal. Alex, how are you?

Alex Cabal:  Doing well, thank you.

Henrik de Gyor:  Alex, how are you involved with Digital Asset Management?

Alex Cabal:  So here at Make-A-Wish America, this is several years ago, we did not have anything at all. We just had a bunch of network drives. No labeling system, naming system of any kind. And so we were looking for a solution, specifically for our creative services department, but in doing so, we thought bigger. We are the national office for Make-A-Wish, so we thought we should probably find something that was an enterprise-wide solution. So we began a search, we narrowed it down, we selected our vendor, I’ve been a part of that entire process. So, and then once we’ve selected that vendor and implemented it. I’m also responsible for the administration and so that the upkeep basically.

Henrik de Gyor:  Alex, how does an organization that grants the wish of critically ill children use Digital Asset Management?

Alex Cabal:  Let me take a step back if I may. Just kind of describe how Make-A-Wish is setup. So I’m with Make-A-Wish America. We are the national office and we provide the structure and the guidance for all of our chapters of which there are 62 across the nation and our territories. The chapters are the ones that actually grant the wishes, so they’re the ones that hire the photographers, videographers. They write the stories for their local websites and such, and they’re the ones that gather all of the assets. At the national office, we have a bunch of designers and they’re the ones creating the collateral, you know, for a lot of our national campaigns, our national sponsors, etc. and they’re the ones that are actually looking for all of these assets. Since we do not grant the wishes ourselves, we rely on what the chapters provide to us and so we needed a mechanism for the chapters to get those assets to us.

And so our DAM system is a part of that. And so what happens is that the wishes are granted. Pictures are taken. The privacy of the wish kids is vital for us. So we’re big into publicity releases, restrictions, that kind of thing. So we structured our DAM system to include all of that information and to allow for attachments of those specific documents so we could see what our restrictions are in addition to all of the assets. The national office and Make-A-Wish in general, we are storytellers basically. We grant wishes for all of these kids across the country and we tell the stories behind those wishes. Not only do they include the wish kids, they also include the volunteers. Many volunteer at the chapter and they’re actually critical for the execution of these wishes. So they work hand in hand with the chapter, with the wish kids themselves, the families, etc.

But these volunteers also include limo drivers, maybe local carpenters, airport greeters, folks like that. So they’re all part of the storytelling. So in the past, we had a reporting style where we would take a story of a kid and you know, if the kid’s wish was to go skiing, we just kind of report what happened. But now we’re taking into account the perspectives of all of the folks involved with the wish. So that might be siblings, that might be the parents of the wish kid, that might be the limo driver or the truck driver or maybe it’s that person working at the ski shop and the example I just gave. So we’re looking at all those different perspectives because they all have a story to tell and when they tell those stories that it affects other people in their sphere and in their community.

So we’re reaching out and just trying to gather as much content and different points of view because everyone has a very specific take on things and we think that it’s very important to share that with the community at large. And then also there’s the donors. So we have donors, they [donate] $5, $10, etc. But we have a lot of also high-level donors where they donate thousands of dollars. So we’re also trying to capture what motivates them. And so a lot of these donors, they might have a relative, a neighbor, a friend that needs a wish. And so that drives them to help out and to be committed to the Make-A-Wish cause. So again, we try to capture those stories as well.

Henrik de Gyor:  Alex, what are the biggest challenges and successes you’ve seen with Digital Asset Management?

Alex Cabal:  With regard to struggles and Make-A-Wish America so I am a party of one and that is very similar to other companies were both for-profit and nonprofit where they might have a DAM department, but that probably constitutes one person, maybe two if they’re lucky.  So I’m not any different in that regard. I think where I am different is that I have two major responsibilities with my position and DAM is the lesser of the two. I’m also responsible for our chapter website platform. It’s the platform that powers not only wish.org, which is the national website, but all of our chapter websites and so that takes up the majority of my time and I try to spend as much time as I can with DAM. I’m different than other DAM administrators and that I specifically don’t look at all of the content per se. I just make sure that the systems are running. I trust that the folks at the chapter, that they’re able to use the system and that we have the metadata structure and all the field setup in a way that they can effectively use the system in that the folks at the national office who are looking for these assets that they can get into the system and find what they’re looking for and use it.

So I’m kind of…I’m in the mix, but I’m not a heavy user. I just make sure everything works. And on our side, not only do our designers look for these assets because they’re looking for brochures, they are looking for signs or looking to create signs. Our social media team also uses the system because they’re always looking for new assets to share with our different constituents and so those are the two primary folks that use the system on a daily basis. Part of our struggles, and this kind of goes to how we are set up, we a federated system, so each of our 62 chapters are their own private 501(c)(3)s [nonprofit organization]. So yes, they are a part of the Make-A-Wish family, but they also have a, a certain level of independence from the national office so they can pretty much do their own thing within certain guidelines, of course. As part of that, you know, a lot of the chapters run a lean staff and some chapters might have like two people. You might run into another chapter where there might be 32 people and so it all varies and the person responsible at the chapter for accessing and utilizing this DAM system may also differ. In one chapter, it might be a marketing person. In another, it could be a communications person or in another, it could be a development or a finance person. So there are no steadfast rules. It just kind of…for each chapter the situation is a little different and more often than not, whoever is the more tech-savvy person is probably the person that gets saddled with the DAM responsibilities. So you know, because of that and because at a chapter, they are running lean. They wear multiple hats. They’re basically trying to get through the day, first and foremost for them is to make sure that wishes happen and they also have large events to which are big fundraising opportunities, so they’re trying to make sure that those two things go without a hitch. More often than not, working with a DAM is even though it’s a necessary function, it kinda gets pushed by the wayside a little bit and to be quite honest and that that’s been a big struggle and you combine that with the size of the chapters and the general lack of resources that nonprofits typically have. That’s kind of the meat of where we run into some issues.

Then there’s also the whole taxonomy thing. I come from the school where the more information there is, the better it is and try to be as specific as you can. What we’re finding out is that maybe that’s not the case. And I think in attending the past two DAM conferences in New York, in hearing feedback from other folks, they’re saying the same thing. And that being too specific could be a challenge. And that perhaps taking a step back and trying to be a little bit more vague in your categories or maybe all-encompassing would be a better idea. So I have to take a look at that and that’s one of the things that I’m doing this Summer is taking a look at our current DAM system and how it is set up with the metadata and all the taxonomy and trying to reconfigure that so that going into the Fall we’ve got a more streamlined version and it’ll help the adoption rate for those folks that yeah, they’re, they need to use the DAM system, but they might feel a little intimidated or it’s a little too cumbersome.  Anything that I can do on my end to streamline that and to make it simpler for them, then I need to be doing that. So that’s a lot of the struggles that we typically have.

With successes, one of the cool things that we do is we use our DAM system as a collection vehicle for our annual calendar. So basically, we put a call out to chapters and we asked them to send us with stories and pictures of wish, kids they’d like to see profiled in our annual calendar. We probably get around 30 of those submissions each year. And so from that pool, our creative services team looks at all of those and then they determine which 12 kids get selected for the calendar. So we did a lot of excitement with that. We’re actually thinking of attaching some kind of reward system for folks that use the DAM system and to, you know, that gives us access to pictures for the submission.

So if we select one of their kids to be in the calendar, we make them some kind of an award. So that’s something that we’re thinking about and I think we’ll probably do this year. We also use our DAM as a collection mechanism for some of our large campaigns are Macy’s Believe campaign is one of our bigger ones, which occurs towards the holiday season of the year. And so we use that to gather images for the different Macy’s Believe events that occur across the chapters. So those have worked well. We’ve also connected our DAM to what we call our design studio, and that is basically a marketing portal, so if a chapter in its simplest form, if they want to order business cards with their logo, they can on a larger scale. If they wanted to create a sign for, let’s say a subway or a brochure or something like that. Basically, that system connects to the DAM and then they can pull hig- res images that belongs to their chapter and then they can utilize those.

We also allow for a sharing option so that chapters can share their assets with other chapters. Currently, by default, everything is based on a per chapter use, so our Arizona chapter of can only see Arizona content. Hudson Valley can only see Hudson Valley, etc. However, we do give each chapter the option on a per item basis to share those items. We have some chapters that are very eager to share because they collect great assets and they know some other chapters struggle with that, so they do what they can to make those available so that the enterprise as a whole can benefit. So those are some of the success stories that we’ve had with our DAM.

Henrik de Gyor:  And what advice would like to share with DAM professionals and people are aspiring to become DAM professionals?

Alex Cabal:  So with DAM professionals, if there’s anyone looking to select a DAM system that does not currently have one, my advice would be to get your IT team involved in the selection process and the planning and how the IT team will need to understand how this will work with their current infrastructure, you know, especially with permissions, if you deal with single sign-on, there are a lot of considerations there. So it’s important that IT is involved in that entire selection process more often than not they have a process in place for selecting vendors and all of that kind of stuff. So they’re very useful in the vetting process for that. It’s also important to sell the importance of a DAM if you don’t currently have one. I think most leadership probably don’t understand. They probably think, “oh, we can get a bunch of storage, a bunch of external drives, etc. It shouldn’t be that big of a problem” So you have to sell the key benefits of whatever system you’re looking at and how that could potentially benefit your organization and I would also advise to look further on down the road. Not in the immediate sense where, okay, in the short term you have storage, but in the long term, what does this mean? Are there other systems that you currently employ that may benefit from tapping into your DAM? So that’s something to look at too, and if you can find a connection that makes sense between those systems and if there’s a technology that exists that allows your DAM to connect with like Salesforce, for example, then that becomes a little bit of an easier sell. Another piece of advice for taxonomy, spent a lot of time figuring out what makes sense for the organization. What might make sense to the DAM administrator might not make sense to other folks. And I’m learning that by experience and so get those other parties in the room who are going to be the heavy users? Who are going to be the ones that are actually downloading? What are the types of terms that they’re going to be looking for? and that should help guide you in how you create the taxonomy for all, all of that information.

For aspiring professionals, a taxonomy and that was something that I didn’t think was going to be that big of a deal. I kind of took it for granted, but in actually going through the pains of realizing that what makes sense in my head doesn’t necessarily make sense in others heads. It’s a really good idea to understand how things are categorized. What makes sense. Be open to taking in input from other folks that probably organize differently than you.  So that’s a big deal. For the students out there, if there are like library sciences, that probably will be a big help. I think the DAM community as a whole… this to me, and I’m relatively new to this, but this seems like an up and coming thing. I mean, this is what I’m gathering from the conferences that I’ve attended recently and talking with other folks… those of us that are in this community realized the importance of it. Those of us outside of it, although they might be touched by it, they don’t quite get it, and so it’s kind of our job to show the importance and how this can help benefit the organization. So take the time to learn about the taxonomy. If you’re a student, check into library sciences or organization, that’s a big thing. Networking, that’s a big deal. You’ll find other folks that with similar interests or are in similar situations and you could probably get some good advice from them and if you’re serious about becoming a DAM professional, don’t be surprised if you are going to be the only one doing that at whatever company you land at and it might be like that for a while. My gut is that even though people are starting to see or companies are starting to see the importance of this is might not be the highest priority for a lot of companies. So it might be a slow growth type of thing within just become familiar with the different systems that are out there and what’s available. So if you do land somewhere, you’re able to have some information. You may not be an expert in that particular system, but it’s not like you’re completely starting from scratch.

Henrik de Gyor:  Well, thanks Alex.

Alex Cabal:  Yeah, you’re welcome.

Henrik de Gyor:  For more on this, visit Another DAM Podcast for over 200 episodes like this. If you have any comments or questions, please feel free to email me at anotherdamblog@gmail.com. Thanks again.


 

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Another DAM Podcast interview with Lauren Henne on Digital Asset Management

Listen to Lauren Henne discuss Digital Asset Management

Transcript:

Henrik de Gyor:  This is Another DAM Podcast about Digital Asset Management. I’m Henrik de Gyor. Today, I’m speaking with Lauren Henne. Lauren, how are you?

Lauren Henne:  Great. How are you doing today?

Henrik de Gyor:  Great. Lauren, how are you doing involved with Digital Asset Management?

Lauren Henne:  I assist with creating naming conventions and folder structure on a daily basis. We also create metadata tagging on files to improve search functions for all the production and post-production staff to search for better usability within the staff.

Henrik de Gyor:  Lauren, how does a sports broadcasting company use Digital Asset Management?

Lauren Henne:  We use it for archiving organization file storage mostly. That’s what in any kind of graphics, photographs, mostly digital media for all file-based.

Henrik de Gyor:  Lauren, what are the biggest challenges and successes you’ve seen with Digital Asset Managemen?

Lauren Henne:  I believe that I think most of the biggest challenge is user adoption of the system, a usability and creating a great metadata and taxonomy development. I think that a lot of that as we grow as a company is always a with adding new channels and adding new content is just making searches more cohesive and easier for the user.

Henrik de Gyor:  And what advice would you like to share with DAM professionals and people aspiring to become DAM professionals?

Lauren Henne:  Be very diligent, organized and analytical, but don’t forget to be creative. Sometimes it takes some of that to organize storage when you don’t have a lot of it.

Henrik de Gyor:  Well thanks, Lauren.

Lauren Henne:  Thank you so much. It was a pleasure. Thanks for having me.

Henrik de Gyor:  For more on this visit anotherdampodcast.com. If you have any comments or questions, please feel free to email me at anotherdamblog@gmail.com. Thanks again.


 

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